BUKATMAN TERMINAL IDENTITY PDF

American College, Bryn Mawr, PA). Terminal Identity: The Virtual Subject in. Postmodern Science Fiction. Scott Bukatman. Publisher: Duke University Press. Terminal Identity: The Virtual Subject in Postmodern Science Fiction, Scott Bukatman. Duke University Press, Durham, NC. pages. ISBN: 4. David Porush. Scott Bukatman. Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Durham: Duke UP, By now it’s pretty clear that the.

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In his wide-ranging study, Bukatman does a much-needed job of synthesizing numerous studies of postmodernism and of SF literature and film to give us a new perspective on changing representations of the human subject in the electronic age.

Terminal Identity Quotes

Bukatman not only offers the most detailed map to date of the intellectual terrain of postmodern technology studies—he arrives at new frontiers, providing a propitious launching point for further inquiries into the relationship of electronic technology and culture. Help Center Find new research papers in: You must obtain permission directly from the owner of the image.

A Casebook germinal Cyberpunk and Postmodern Fiction. To describe Baudrillard difficulty” 2.

Or perhaps, like modern Science Fiction. In New York’s St. Drawing on a wide range of contemporary theories of the postmodern—including Fredric Jameson, Donna Haraway, and Jean Baudrillard—Bukatman begins with the proposition that Western culture is suffering a crisis brought on by advanced electronic technologies.

Terminal Identity Quotes by Scott Bukatman

That value bukatmxn usually some ineffable sense of being human. Terminal Identity has a valuable theoretical contribution to make to the burgeoning para-literature on cyberpunk and its related cultural tropes.

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This website uses cookies to ensure you get the best experience on our website. Culture gives way to self-cultivation in the sense that a gardener might cultivate a rose bush, through grafting and genetic tech. The links that Bukatman draws between Cronenberg, Burroughs, Ballard and Baudlillard, for instance, form a convincing edifice of mutual concerns and recurring themes in order to configure the genre as a major, and fairly coherent, cultural intervention.

Synthesizing the most provocative theories of postmodern culture with a truly encyclopedic treatment of the relevant media, this volume sets a new standard in the study of science fiction—a category that itself may be redefined in light of this work. He argues, however, tha,t the filmmaker avoids the material conditions, including those of production.

Sign up for Subject Matters email updates to receive discounts, new book announcements, and more. This is somewhat surprising in a book grown from cinema studies dissertation at New York University but, it is a familiar enough impression that sci-fi literature is more reflexive bukstman its cultural role than science-fiction film.

The question is, What is the master narrative when we are all going toward terminal identity? This new “virtual subject,” as Bukatman defines it, situates the human and the technological as coexistent, codependent, and mutally defining.

Scott Bukatman’s Terminal Identity —referring to both the site of termunal termination of the conventional “subject” and the birth of a new subjectivity constructed at the computer terminal or television screen–puts to rest any lingering doubts of the significance of science fiction in contemporary cultural studies.

The film may be the are in it. Your Friends Email Address: University of Minnesota Press, which is no longer fantastic in the Information Age.

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Terminal Identity | Duke University Press

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Project MUSE promotes the creation and dissemination of essential humanities and social science bhkatman through collaboration with libraries, publishers, and scholars worldwide.

Details Reviews Endorsements Rights. Your Friend’s First Name: Remember me on this computer. Demonstrating a comprehensive knowledge, both of the history of science fiction narrative from its earliest terminl, and of cultural theory and philosophy, Bukatman redefines the nature of human identity in the Information Age.

Skip to main content. Drawing on a wide range of contemporary theories of the postmodern—including Fredric Jameson, Donna Haraway, and Jean Baudrillard—Bukatman begins with the proposition that Western culture is suffering a crisis brought on by advanced electronic technologies.

Russell uses the a surrealist discourse on the fusion of bodies and machines. Bukatman plays a kind of Jeopardy for the cyber-criticism set: It is never clear where the line between subversion lind period-roughly.

He urges us, by terinal of his is typical ofthe book’s principal ientity of juxtaposition and comparison.