Fulcanelli (fl. s) was the name used by a French alchemist and esoteric author, whose The Morning of the Magicians, Pauwels and Bergier popularized the mystery of the Master Alchemist. . Michele Soavi’s film La Chiesa (The Church) references Fulcanelli’s The Mystery of the Cathedrals throughout. In the fabled alchemist Fulcanelli left his remarkable manuscript Cathedrals of Europe which have openly displayed the secrets of alchemy for years. . trace behind him except rumors and astonishing feats- of a Master alchemist. In the fabled alchemist Fulcanelli left his remarkable manuscript concerning the Hermetic Study of Gothic Cathedral Construction with a.

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According to Fulcanelli, nuclear weapons had been used before, by and against humanity. No one notices the ordinary looking monument with its message of catastrophe; perhaps it was intended to be that way.

I read through this novel to help me futher understand the gothic style of cathedrals before visiting europe. Fulcanelli – Master Alchemist: This is what we call the Great Work. Such an inconsistency is badly explained indeed!

The matter, like one suspects it, was to be serious! Duringhe accepted the sons of Ferdinand fulfanelli Lesseps as students and in two more students: I speak here about the face which kept from the common run of people only the human form and which is enriched by an indescribable expression.

When Bergier asked Fulcanelli about the Philosopher’s Stone, the alchemist answered: Fulcanelli is undoubtedly brilliant, but we are left wondering if his is the brilliance of revelation or dissimulation. Did his qualification referred to the famous sentence of the Mutus Liber of the alchemists: From this position he has access to the realities which are alchemisf hidden from us by time and space, matter and energy.


Fulcanelli Master Alchemist: The Mysteries of the Cathedrals by Mary Sworder

Indirect, because the book managed a major literary miracle-it became influential while remaining, apparently, completely unknown outside of French occult and alchemical circles. The Mysteries of the Great Cross of Hendaye.

The images and the Catheddals inscription on the cross have no more than a generation left before pollution wipes the images clean and the message disappears forever.

The meme, the ability to understand the myth and its metaphors, seems to have survived only through the actions of these secret and insular groups. Carl Jung spent the twenties teasing out a theory of the archetypal unconscious from the symbolic tapestry of alchemical images and studying how these symbols are expressed in the dream state. In The Hunchback of Notre DameHugo spends a whole chapter chapter 2 of book 5 on the idea that architecture is the great book of humanity, and that the invention of printing and the proliferation of mundane books spelled the end of the sacred book of architecture.

Fulcanelli and the Mystery of the Cross at Hendaye

This book seems to me to be a introduction to the language used – and how it is used – by some alchemists to convey their secrets. When my wife told me the good news” and ” Jobert who, passioned by Alchemy, would have performed in public, inan authentic transmutation into gold.

First rated it liked it Sep 22, Jon Graham rated it it was amazing Jan 01, Without neglecting the belief of some researchers that Canseliet himself could have been Fulcanelli, Canseliet cathedra,s believed Fulcanelli’s Master was Basil Valentinean alchemist of the 15th century; the theoretical Master at least, for Fulcanelli’s initiator may have been his own wife.


Vincent Bridges is a historian, shamanic therapist, and author who has written extensively on gnosticism, alchemy, and unsolved enigmas. Fulcanelli concludes the chapter with a series of metaphors: Instruction in the techniques of the process offered by Europe’s gothic cathedrals for humanity’s own evolution.

The Church of St Vincent in Hendaye.

Fulcanelli revealed

Retrieved from ” https: The top of the Hendaye Cross. What to do about it? Above is the divine cross, exemplifying the chosen means of expiation; below is the global cross, fixing the pole of the northern hemisphere and cathedrsls in time the fatal period of this expiation.

The books are written in a cryptic and erudite manner, replete with Latin and Greek puns, alchemical symbolism, double entendresand lectures on and in Argot and Cantall of which serve to keep casual readers ignorant. In our book “L’Alchimie: Books, Commentary Comments are closed. Second, that, no matter what one’s opinion might be on the man and his works, this book is an absolute must for all l The first time I saw this book was on the shelves of my university friend, long long long ago.